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Coming to the eShop for the 3DS on June 13 for North America, and June 27 for Europe.
God is in the details.
Playing bad games is no fun, but what’s even worse is playing a game that’s amazing and then takes a sudden nosedive in enjoyment from which it never recovers. Even though it never falls far enough to be a bad game, Reus sure plummets from the heights of fun into the ho-hum zone. A god game with a complex series of interacting systems, Reus seems to have done most everything right until you advance in the game far enough to turn it into a tedious and anal retentive planning exercise.
Open the door, get on the floor, everyone do the Buck Bumble! ...wait.
It's time to hit the dance floor! Let Julian be your DJ as he takes you through an audio journey of thumping base and funky beats. If you can't dance don't worry--just find an abandoned warehouse and dance your frustrations away, Footloose-style!
Blocking, BnB’s and More.
You’ve got your game and you’ve got your character, so the next step is potentially one of the most difficult – learning the basics. At this point, assuming you’ve fiddled around with the game, and at least have a handle on the game’s systems, there is still a lot to learn in terms of playing the game properly. Learning the basics at times makes people feel like they don’t know how to play the game at all. It can be frustrating, but the payoff is well worth it, because not only will it you progress in your game of choice, but it will improve your success rate with many other fighting games.
Light at the end of the tunnel.
Metro: Last Light's first achievement may be the fact it exists. As a sequel to an atmospheric first-person shooter adapted from Russian literature, it was already a risky game before development even started. Bad working conditions, delayed release, and THQ's bankruptcy followed. Yet despite everything going against it, Last Light has emerged from the darkness to become one of the year's best games so far.
