It's still real to me, damnit!
Ladies and gentlemen, boys and girls. ARE YOU READY TO PODCAAAAAAST? Well, good, because Patrick and Julian are joined by JD and fan favorite John Gholson to talk about some rasslin'. It might not be everyone's cup of tea, but if you aren't a wrestling fan this episode of Nerds Without Pants just might help you understand why some of us are.
It’s a curse to play such horrible garbage.
Imagine for a moment that you’re the world’s perfect predator, and you have an open and sprawling city that is now your playground after being at rest in the shadows for hundreds of years. You’re sneaking up on your prey, salivating at the heartbeat that is about to feed you when you suddenly step on a twig. The echo of this twig somehow alerts every known enemy of yours, and you’re suddenly flanked and flayed mercilessly without ever being given the chance to fight back. This is Lords of Shadow 2: everything sounds great in theory, yet nothing works the way it’s intended to do so.
“Sacred geometry.”
Every so often, I am lucky enough to play a game so delightful, so perfectly engineered for its platform, and so inspiring that I have to take a step back, stunned. While other arts such as literature and painting seem long in the tooth these days, clutching to cynicism and nihilism like a terminal patient clinging to the sheets in his bed, great games seem imbued with a sort of impossible optimism and generosity towards the human condition. Monument Valley, a game about redemption through sacred geometry, is one of those games.
We wouldn’t be here without all of you.
We throw around the word “community” in the video games arena without a second thought. Even small enthusiast sites have community managers and a myriad of other ways to strengthen and connect people who are passionate about games. If it weren’t for several key creatives that helped form the gaming landscape through the decades, though, we might not have the communities we all take for granted. Dungeons & Dreamers’ updated second edition guides us on a journey that shows how communities became so important to gaming. It’s an intriguing thesis that is hammered home with a continuous chain of examples that make it undeniable how integral community has always been to video games.
P-p-p-p-pirate ghosts!
Yaaaar! Welcome to another adventure on the high seas of the internet, ya landlubbers! This week, the crew of the S.S. NWP take a stab at the dreaded topic of piracy. No, not that piracy, the kind where people steal games and other media because they can.
Electric Seaweed.
Video game parody is hardly something new. For generations, games have found plenty of subtle (and not so subtle) ways to lampoon iconic games, the industry, and culture. Until Retro City Rampage, I’m not sure we’ve had a single work that’s so utterly dedicated to the practice. You won’t find a single mission in the game that’s not parodying games, or ‘80s/’90s culture, or something you’re sure to remember if you grew up during the days of the NES.
This episode fueled by hateraide and rageohol!
Here it is at last, folks: the conclusion of the Backlogger's journey into Asura's Wrath! Julian and Angelo are once again joined by internet gamer sensation and all around pleasant person Erika Szabo. There's lots to talk about, so let's jump right in.
Shipwrecked.
PolyPusher Studios, the Irish developer behind Montague’s Mount, describes its latest project as a “psychological rollercoaster ride through isolation, desolation, and one man’s tortured mind.” Its perception of the game it created doesn’t quite align with the game it actually released, where the rollercoaster is more like rush hour traffic, and the only tortured mind is my own. Montague's Mount is a first-person adventure/puzzle game about a man who awakens on the beach of a deserted fishing island, unable to remember who he is or why he’s there. Promising although the concept sounds, concept only goes so far without the execution to back it up.
“Amnesia? Again?!?”
There’s a special place in hell for JRPG fans. Their sin? Playing the same game with the same story over and over without complaining once. I suppose there are worse crimes than this, but there is a sort of masochistic glee in which JRPG fans partake in their vice. Perhaps we love grinding and crafting so much that we don’t really care about the story too much – despite our claims that we play these games for the tales they tell. Perhaps it’s the newness of the dungeons or the shiny equipment that makes the tedium of saving the world over and over remain novel. But, despite these tropes, this genre seems to continue on, and sometimes even with some of the most loathed archetypes and clichés, JRPGs can rise to heights other genres can’t.
He came in like a wrecking ball...
Welcome back to Backloggers! We're waist deep in Asura's wrath in this episode. Before listening you should have played up to the end of episode 9. Come join Julian, Angelo, and special guest Erika Szabo as we talk all about Asura.
