PixlBit

Super reductive description of this game: bros, babes, Bermuda shorts.

It's time for another three parter here at Backloggers Anonymous! Angelo is joined by Jaime and Julian to talk about a pretty big game that two thirds of the cast have never played: Final Fantasy X. Now, after a three hour FF episode of Nerds Without Pants you might think that Julian doesn't have much more to say about fantasies that are final, but you would be wrong. Seriously, we can't get this guy to shut up!

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Duck and cover!

Not about to let Disney's Donald Duck hog all the fame and fortune, Daffy Duck starred in his own Nintendo 64 platformer as well. Unfortunately, this is another case where I'm not very familiar with the source material, having seen the show maybe a few times when I was younger and don't remember a lick of it. However, the game is plenty decent enough to stand on its own, or maybe it's just my love of platformers talking.

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Kill the skies.

The wonder of some indie games that go for that retro aesthetic is they kind of live up to our brain’s memories of what those old games were like, without the warts we seldom remember.  Sort of like a period film, it might not be like how things really were, but while catering to our modern tastes, a finer piece of art is sculpted, one that has learned the mistakes of the past.  Luftrausers is a game forged out of what once was – not only with its 8-bit aesthetic, but also with its satirical Nazi artwork.  Both of these themes work for and against it, but overall what we have here is a great game that is a commentary not only on the past, but on the future. 

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It's still real to me, damnit!

Ladies and gentlemen, boys and girls. ARE YOU READY TO PODCAAAAAAST? Well, good, because Patrick and Julian are joined by JD and fan favorite John Gholson to talk about some rasslin'. It might not be everyone's cup of tea, but if you aren't a wrestling fan this episode of Nerds Without Pants just might help you understand why some of us are.

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“Sacred geometry.”

Every so often, I am lucky enough to play a game so delightful, so perfectly engineered for its platform, and so inspiring that I have to take a step back, stunned.  While other arts such as literature and painting seem long in the tooth these days, clutching to cynicism and nihilism like a terminal patient clinging to the sheets in his bed, great games seem imbued with a sort of impossible optimism and generosity towards the human condition.  Monument Valley, a game about redemption through sacred geometry, is one of those games. 

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